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・ K. P. Chen
・ K. P. D. Maphalla
・ K. P. Dandapani
・ K. P. Dhanapalan
・ K. P. Gopalkrishna
・ K. P. H. Notoprojo
・ K. P. Haridas
・ K. P. Jagan
・ K. P. Jayaswal
・ K. P. K. Kumaran
・ K. P. K. Menon
・ K. P. Kandan
・ K. P. Kandasamy
・ K. P. Karunakara Menon
・ K. P. Kesava Menon
K. P. Kittappa Pillai
・ K. P. Krishnakumar
・ K. P. Kumaran
・ K. P. Lakshmana Rao
・ K. P. Manson Public School
・ K. P. Mathur
・ K. P. Mohanan
・ K. P. Munusamy
・ K. P. Nachimuthu Gounder
・ K. P. Nagarajan
・ K. P. Nambiathiri
・ K. P. Narayana Pisharody
・ K. P. Nirmal Kumar
・ K. P. Noorudeen
・ K. P. P. Baskar


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K. P. Kittappa Pillai : ウィキペディア英語版
K. P. Kittappa Pillai

K. P. Kittappa Pillai (May 5, 1913 – 1999) was the son of Sangita Kalanidhi Sri K. Ponniah Pillai, a scion of the famous Tanjore Quartet, codifiers of the Bharatanatyam format. Those celebrated brothers were born into a nattuvanar family and were trained in music by Sri Muthuswami Dikshitar. They went on to become asthana vidwans in the various South Indian courts. Chinniah (b. 1802) took bharathanatyam to the Wodeyar court at Mysore; Ponniah (b. 1804) and Sivanandam (b. 1808) stayed in Tanjavur, under Maratha patronage; and Vadivelu (b. 1810), who adapted the violin for use in Carnatic music, also created the form of Mohiniattam at the request of the Maharaja of Travancore, Swati Tirunal. The brothers codified the basic bharathanatyam adavus, developed the margam (from alarippu to tillana) as we know it today, composed an impressive number of alarippus, jatiswarams, kavituvams, sabdams, varnams, padams, javalis, kirtanais, and tillanas and in brief, transformed both the temple and court presentation of sadir, as this form was then known.
K.P. Kittappa Pillai began his career as a vocalist having been trained by his own father Sri Ponniah Pillai and flourished in that sphere for some time. As a direct disciple of his maternal grandfather, the veteran Nattuvanar Pandanallur Meenakshi Sundaram Pillai, Kittappa Pillai established himself as a versatile Nattuvanar during the major part of his career.
==Tanjore Quartet Heritage==
The Quartet's heritage, preserved and expanded by the next eight generations of this family, remains the richest resource for traditional performers of the form to this day. Guru Kittappa Pillai himself was a brilliant musician, teacher and choreographer and revived many rare pieces of the original Tanjavur repertoire, producing the first annotated versions in the 1950s, including the Sarabhendra Bhupala Kuravanji and the Navasandhi Kavituvams.
He trained several students in India and from abroad, some of whom became prominent performers of the Thanjavur tradition.
Please see http://kittappanatyalaya.org/ for more details.

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